Mandala

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Mandala

1. Etymology

Mandala (Sanskrit: “circle,” often “magic circle”) names a geometric figure of centered wholeness—circle squared or square encircled, typically ordered by four or its multiples. In Jung, it is an expression of the psyche and especially of the self. Related: quaternity; temenos (sacred container); individuation imagery.


2. Plain summary

A mandala is a circle (or square-in-circle) that gathers a life toward a center. It can show up in dreams, drawings, sandplay, or ritual art when the psyche is trying to hold itself together—or when it is defending against fragmentation. Great religious mandalas picture cosmic wholeness; personal mandalas can be quieter: a protected space, a fourfold map, a center that will not stay empty.

It is not a guarantee of health. The same form can shelter growth or wall off panic. It often appears with the need for a temenos—a sacred, bounded place—around analysis or inner work. It rhymes with the self and with individuation’s circumambulation of a center.

Examples (exhaustive house list for this Index lemma — common mandala-related figures and motifs named across Jung’s essays and standard Jungian lexica; not a claim that Jung’s CW contains only these):
Sanskrit magic circle; circle squared / square encircled; regular subdivisions; four or multiples of four; radiation from / movement into a center; expression of psyche and Self; dreams and paintings in analysis; cosmic wholeness (religious tradition); defensive function in fragmentation; temenos / holy place meaning; quaternity as related schema; self as center and circumference; individuation circumambulation; god-image / totality symbols; archetype of order; active imagination drawings; compensation toward balance; inflation risk if ego identifies with the center; symbol of wholeness vs sign of dogma; relation to psychoid unknowability of Self-as-such behind the image.


3. Academic elucidation

In analytical psychology the mandala is a symbolic schema of centered order, read as an expression of the Self and of the psyche’s urge toward wholeness, while remaining capable of defensive use under fragmentation. Sharp’s lexicon routes the headword through quaternity and temenos; Samuels supplies the geometric and clinical gloss. Descent Press keeps Sharp and Samuels in §4 so lexicon paraphrase never silently becomes Jung’s voice


4. Lexicon

Sharp (1991) — Mandala = See quaternity and temenos (no standalone definitional article). Adjacent:

Temenos. A Greek word meaning a sacred, protected space… Jung believed that the need to establish or preserve a temenos is often indicated by drawings or dream images of a quaternary nature, such as mandalas. The symbol of the mandala has exactly this meaning of a holy place…

Quaternity. An image with a four-fold structure, usually square or circular and symmetrical; psychologically, it points to the idea of wholeness.

(Sharp, 1991, pp.)

Samuels, Shorter & Plaut (1986) 90 (List “mandala 90”):

Mandala … Sanskrit word meaning ‘magic circle’. Refers to a geometric figure in which the circle is squared or the square encircled; it has more-or-less regular sub-divisions, is divided by four or multiples thereof, radiates from or moves into a centre… Jung interpreted it as an expression of the psyche and, in particular, the Self. … Though mandalas can express a potential for wholeness or represent cosmic wholeness… they can also function defensively for people who are fragmented.

(Samuels, Shorter, & Plaut, 1986, p. 90)


5. CW concordance — sample, not exhaustive

The Sanskrit word mandala means “circle.” It is the Indian term for the circles drawn in religious rituals.
(Jung, 1950/1968, CW 9i, p. 355, ¶629)

As I have said, mandala means “circle.” There are innumerable variants of the motif shown here, but they are all based on the squaring of a circle. Their basic motif is the premonition of a centre of personality, a kind of central point within the psyche, to which everything is related, by which everything is arranged, and which is itself a source of energy. … This centre is not felt or thought of as the ego but, if one may so express it, as the self.
(Jung, 1950/1968, CW 9i, p. 357, ¶634)

The Sanskrit word mandala means “circle” in the ordinary sense of the word. In the sphere of religious practices and in psychology it denotes circular images, which are drawn, painted, modelled, or danced. … As psychological phenomena they appear spontaneously in dreams, in certain states of conflict, and in cases of schizophrenia. Very frequently they contain a quaternity or a multiple of four…
(Jung, 1955/1968, CW 9i, p. 387, ¶713)

As a rule a mandala occurs in conditions of psychic dissociation or disorientation… In such cases it is easy to see how the severe pattern imposed by a circular image of this kind compensates the disorder and confusion of the psychic state—namely, through the construction of a central point to which everything is related… This is evidently an attempt at self-healing on the part of Nature…
(Jung, 1955/1968, CW 9i, pp. 387–388, ¶714)


See also: self; individuation; god-image; archetype; symbol; active imagination; psychoid; compensation; enantiodromia; amplification; inflation.

References

Jung, C. G. (1968). Concerning mandala symbolism. In H. Read, M. Fordham, G. Adler, & W. McGuire (Eds.), The collected works of C. G. Jung (R. F. C. Hull, Trans.) (2nd ed., Vol. 9i, pp. 355, 357, ¶¶629, 634). Princeton University Press. (Original work published 1950)

Jung, C. G. (1968). Mandalas. In H. Read, M. Fordham, G. Adler, & W. McGuire (Eds.), The collected works of C. G. Jung (R. F. C. Hull, Trans.) (2nd ed., Vol. 9i, pp. 387–388, ¶¶713, 714). Princeton University Press. (Original work published 1955)

Samuels, A., Shorter, B., & Plaut, F. (1986). A critical dictionary of Jungian analysis. Routledge.

Sharp, D. (1991). Jung lexicon: A primer of terms & concepts. Inner City Books. (Mandala = See quaternity and temenos.)


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